Strike Anywhere — SEP 8

Operation Odyssey Dawn

Operation Odyssey Dawn Archive

Installation at ICP, Rita K. Hillman Education Gallery, New York, 2012

Strike Anywhere
September 8–November 25

Opening Reception
Friday, September 7, 6:00-10:00 pm

International Center of Photography
Rita K. Hillman Education Gallery
1114 Avenue of the Americas
New York, NY 10036

Strike Anywhere Press Release

Operation Odyssey Dawn
Single-channel time-lapse photography video, color, silent, 1 min. 51 sec. looped
5 archival inkjet prints, inserted in acetate holder, 9 x 12 inches each

Strike Anywhere / Drawdown
First Edition Matchbox-Flipbook: Storage clamshell box; 4 3/4 x 5 3/4” x 1 inches. Strike Anywhere laser engraved balsa wood matchbox, phosphorus paper, archival inkjet print; 3 7/8 x 3 1/2 x 7/8 inches. Drawdown flipbook, 100 pages; 3 1/2 x 2 3/4 x 3/8 inches

Strike Anywhere, manufactured by Paul Qaysi Art Studio Construction Corps 68 Jay on a drizzly, cloudy day. Matchbox-Flipbook, first edition, 12 copies made in Brooklyn, NY, 2012.

photo © Paul Qaysi. All rights reserved.

RAY 2012 / Making History — APR 20

Installation at the Frankfurter Kunstverein, Frankfurt, 2012

20 April­–8 July 2012

19 April 2012, 7 pm

Exhibition Sites
MMK Museum für Moderne Kunst Frankfurt am Main and MMK Zollamt
Domstraße 10, 60311 Frankfurt am Main

Frankfurter Kunstverein
Steinernes Haus am Römerberg, Markt 44, 60311 Frankfurt am Main

Taysir Batniji, Nina Berman, Viktoria Binschtok, Robert Boyd, Black.Light Project, Luc Delahaye, Thomas Demand, Harun Farocki, Omer Fast, Samuel Fosso, Kathrin Günter, Hofmann&Lindholm, James Howard, Alfredo Jaar, Sven Johne, William E. Jones, Barbara Klemm, Petra Köhle and Nicolas Vermot Petit-Outhenin, David LaChapelle, Eva Leitolf, Armin Linke, Gustav Metzger, James Mollison, Simon Norfolk, Peter Piller, Elodie Pong, Paul Qaysi, The Atlas Group/Walid Raad, Jo Ractliffe, Doug Rickard, Martha Rosler, Michael Schmidt, Frank Schramm, Manit Sriwanichpoom, Hank Willis Thomas, Oliviero Toscani, Jeff Wall, Michael Wolf.

Anne-Marie Beckmann (Art Collection Deutsche Börse), Lilian Engelmann (Frankfurter Kunstverein), Peter Gorschlüter (MMK Museum für Moderne Kunst Frankfurt am Main), Dr. Holger Kube Ventura (Frankfurter Kunstverein), Alexandra Lechner (Darmstädter Tage der Fotografie) and Celina Lunsford (Fotografie Forum Frankfurt).

RAY2012 Making History Press Kit
Making History. RAY 2012 Fotografieprojekte Frankfurt/RheinMain. Ostfildern: Hatje/Cantz, 2012

© QAYSI. All rights reserved.

Actual Dots

Actual Dots

Launch Date: March 28, 2011
Actual Dots (Qaddafi)

Launch Date: September 2, 2012
Actual Dots (Saleh)
Actual Dots (Assad)
Actual Dots (Mubarak)
Actual Dots (Ben Ali)

Web Project URL:
Screensaver download, color, silent, 15 sec. looped

Source images are from YouTube video footage of Middle East leaders speaking on national television during the Arab Revolutions of 2011. One hundred and fifty pictures digitally processed to generate a sequence of halftone dots.

Mac OSX 10.4 — 10.8
Download, unzip, and doubleclick file to install, it will automatically install itself as a screensaver. To change preferences for your screensaver, go to System Preferences, and select Desktop & Screen Saver.

Windows 7/Vista/XP/2000
Download, unzip, and doubleclick file to install. To change preferences for your screensaver, go to your Display properties in the Control Panel.


Refresh browser to auto-play-loop all videos simultaneously.

© QAYSI. All rights reserved.

200 Days

200 Days Launch Date: January 14, 2004 Web Project URL: 200 photographs made for web viewing, color, silent

Screenshot from 200 Days, 2004

200 Days
Launch Date: January 14, 2004
Web Project URL:
200 photographs made for web viewing, color, silent

Flash player required.


On each day from March 16 to October 1, 2003 one copy of the New York Times was purchased at various locations in Brooklyn and Manhattan. A total of 200 newspapers were collected.

The photographs were made by fixing the camera/lens on the first newspaper (March 16th). The distance between the first newspaper and the lens was more or less 12 feet.

Each photograph was exposed at the same exposure value as the first exposure. After each exposure the following day’s newspaper was placed on top of the previous edition and another exposure was made.

Two hundred photographs and this statement constitute the piece.

January 1, 2004
Paul Qaysi